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Liz Johnson Artur & Jadasea, half-life, 2019Īrtur presents a collaboration with rapper and musician Jadasea.
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Featuring an interview with Rachael Adeoye, Jezzy aims to unpack the effect of this policing and displays methods of resistance as we see teenage girls of the era reclaim their bodies through dance.Īdam Farah, ends portals / pull up (momentations)* Likewise, the concept of the Jezebel Spirit popularised across Pentecostal churches saw warnings issued against women who apparently possessed this spirit. From his lauded debut album Boy In Da Corner, Dizzee Rascal’s Jezebel sees the MC spew a cautionary tirade against female promiscuity. Set against the backdrop of hyper-masculine 2000s Grime culture in London, the piece establishes its links to African Christianity and the subsequent multifaceted repression of Black female sexuality. Jezzy is an uncompromising look at the policing of young Black female sexuality. Shot within the confines of his residential home and her university accommodation, Pingey explores themes of socio-cultural conformity, cultural hegemony and fears of hereditary predestination. Pingey is an experimental piece following the relationship between Josiane Pozi and her father. Many are the children of students who were invited to study in the Soviet Union during the Cold War, their stories spliced with Artur’s still photographs of post-Soviet city life.
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Running OrderĪfro Russia is an intimate portrait of communities of Russians of African and Caribbean descent, filmed in Moscow and St Petersburg. Films by Liz Johnson Artur & Jadasea, Adam Farah, Deborah Findlater and Josiane Pozi are followed by a discussion with the artists, hosted and moderated by writer and programmer Derica Shields. Local cinema Peckhamplex hosts a special screening of short films selected by Alx Dabo in response to Liz Johnson Artur: If you know the beginning, the end is no trouble.